I value the arts

Tough decisions are being made about public spending. If you value the arts in your community, you need to make your voice heard. Show the decision-makers that the arts are vital and valued. Pledge your support, visit www.ivaluethearts.org.uk and follow us on twitter.com/ivaluethearts


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MANIFESTO

We believe that great art needs great audiences, and that's why our Manifesto outlines our key messages for funders, policy-makers and the sector in England and the evidence behind those views. You can download our Manifesto here.


Membership to Audiences Yorkshire has become an absolutely vital part of our overall marketing strategy. The practical advantages such as accessing distribution channels, being featured on digyorkshire.com and reaching out to audiences within our catchment area are extremely important to us. At the same time we have the support needed to think creatively as an organisation and this is encouraged within industry briefings, CEO conferences and AY research such as the Theatre Benchmarking Report. As well as all of this, the networking opportunities that are available with similar venues is a real advantage and the AY team are incredibly knowledgeable about the arts environment, working closely with us to ensure we are moving forward at our pace.

Member - Audiences Yorkshire


The Truth Is Out There

15th October 2010

I have been in a lot of meetings recently about data. Some of them have been about how we use data and evidence better to deliver cost-effective services. Others have been about how we save money by collecting less data. Spot the paradox?

Actually, I think there are ways of doing both. At one recent meeting, when asked about what should be future priorities for national research, several people asked for useful intelligence that is already in the public domain.

Clearly there is a need to be more pro-active in disseminating useful research to the sector. That's why we launched Audiences News in March and we're delighted so many people are finding it so helpful. But we realise giving a weekly round-up doesn't satisfy the needs of most people running cultural businesses or making investment decisions about public funding.

A couple of people have independently suggested to me 'we need to place all this information in one place'. This was one of the main drivers behind the CASE programme. They've done a brilliant job in pulling huge amounts of intelligence together, but several intelligent colleagues have told me they find the collective mass of information impenetrable. 

For me, there is still a huge need for skilled human intervention. Managers of cultural organisations should not be expected to be experts in use of data. But they should understand its value and have the ability to pick up the phone to an expert who can guide them to the evidence and answers they need.

In many nations and regions Audience Development Agencies are providing this service. This is a good example of investing in economies of scale.  We need to fund front-line services, but we also need to save money by investing in shared expertise, and in the next few years we need to put more emphasis on using the intelligence we have more effectively than gaining new insight.

David Brownlee, Chief Executive, Audiences UK

 

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