I value the arts

Tough decisions are being made about public spending. If you value the arts in your community, you need to make your voice heard. Show the decision-makers that the arts are vital and valued. Pledge your support, visit www.ivaluethearts.org.uk and follow us on twitter.com/ivaluethearts


I value the arts logo

MANIFESTO

We believe that great art needs great audiences, and that's why our Manifesto outlines our key messages for funders, policy-makers and the sector in England and the evidence behind those views. You can download our Manifesto here.


Well done, tip-top conference full of exciting idea, stimulating thoughts, and inspiring leaders of the arts community. I had really enjoyed the Scottish Arts Council's Web 2.0 conference last autumn and wasn't sure if this would match it, but it did.

Glasgow Grows Audiences Conference 2009 Delegate


Forget the targets, it's the learning and data that counts

17th December 2010

Do you know your LAA from your LSP?  Can you describe how the NIS was designed to feed the CPA?  If your answer to these questions is ‘yes’, you either work for a Local Authority in England or don’t get out much.  Or possibly both.  If your answer is ‘no’, read on...

For mere mortals, in plain English, in 2007 Local Authorities and their strategic partners had to choose a basket of targets for their area.  Several chose increasing engagement in the arts.  The final data came out yesterday.  None of them hit their target. Is this a disaster?

No.  The targets were very high (for boring statistical reasons) and the time to deliver them was unrealistically short.  But what the process of trying to think how to address the targets did do was get Local Authorities working more closely together and working more closely with arts organisations and other partners.  It radically increased skills in the use of data by many local authorities.  It increased the visibility of the arts in Local Authorities, and in some places it increased resources for the arts.  And, perhaps most importantly, it got everyone involved thinking about who does and who doesn’t engage with the arts and what are the barriers to participation and attendance.

The skills and partnerships developed through this process may lead to some impact in future years, if there is any meaningful arts and cultural capacity left in Local Authorities after the forthcoming cuts.  Let’s hope so.  The data collected to set these targets showed a huge divide between local areas.  Twice as many people took part in the arts in Camden as Barking & Dagenham in 2008.  The same is true in 2010.  If increasing engagement continues to be a priority (which ACE’s 10-year strategic plan says it is), we should have better news to report in 2020.

David Brownlee, Chief Executive, Audiences UK

 

Comments

There are currently no comments on this item.

Add your comment

  1. Privacy
  2. This question prevents spam programs from automatically posting comments

Your information will be stored in accordance with our data protection policy.

Please note that comments will not be published until they have been reviewed by Audiences UK, if your comment does not appear immediately please do not resubmit it.